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Drag Race music usually gives queens better material to work with than, say, Drag Race sketches, and just earlier this year a girl group challenge (bing bang bong) led to one of the most (sing sang song) iconic episodes ever (ding dang dong) thanks to “U.K. From Stompin’ Tom Connors to Shania Twain, Canadian music has a strong country streak. The theme is country girl groups making a breakup bop called “Bye Flop,” all of which sounds super-promising. Since the all-around excellence of “Sitting on a Secret” versus “Drag Up Your LIfe” in All-Stars 3, duelling girl group episodes have become my favourite episodes. It’s girl group challenge week, which is exciting not world-shattering exciting, but exciting like when it’s chicken finger day in the cafeteria. As Canadian PSA bunnies once said: Stay alert, stay safe! Also, Kimora gives a real “The More You Know” lesson about the difference between water- and silicone-based lubes, and which is used for which hole. A public health education-themed mini challenge is so wholesomely Canadian, even if it is ultimately sponsored by Trojan, and it gave us all an opportunity to see Gia Metric dressed as a banana making fart noises and mime-fucking Synthia from behind.
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Eve’s insecurity is already established as a plot for the fifth episode in a row.įor the mini challenge, the gals get into “sex educator quick drag” to teach Canada’s Squirrelfriend Tracy Melchior how to use a condom. Eve 6000 says that being in the bottom two but winning the lip sync is “almost like” a challenge win, which, sure, the same way that bagged milk is “almost like” consumer-friendly product packaging. So what is this season of Canada’s Drag Race for? Yes, it’s for Neutrogena wipe and Shopper’s Drug Mart product placement, and it’s for Brooke Lynn’s plastic surgeon to maintain cash flow … but after all of the eliminations so far, I worry about charisma deficit. And Drag Race is only ever good when enough queens, far enough into a season, are good at Drag Race. Drag is still most vital as a life art form, and one’s aptitude at that doesn’t necessarily translate to them being good at Drag Race. I am sure that in real life, every one of these queens possesses that spark that makes them dynamic and special onstage. Quirky underdogs can be likable, and so can (of course) gifted, gorgeous frontrunners. I count “love to hate” as a form of likability delicious bitchiness is also a form of it.
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Not the pageant kind of fake-smiley likability, but something about a queen that makes them a good TV character, the kind you want to tune in and watch week after week. Whether or not you think it’s a relevant metric of someone’s abilities as a drag performer, likability matters on Drag Race.